2022 Guest Artists: Mimi Stillman & Amanda Harberg
Flutist Mimi Stillman, acclaimed by The New York Times as “not only a consummate and charismatic performer, but also a scholar whose programs tend to activate ear, heart, and brain”, is renowned for her virtuosity, insightful interpretation, and adventurous programming. As soloist, she has appeared with orchestras including The Philadelphia Orchestra, Indianapolis Chamber Orchestra, Bach Collegium Stuttgart, Chamber Orchestra of Philadelphia, Orquesta Sinfónica de Yucatán, Chamber Orchestra of the Triangle, and Orchestra 2001, and as recitalist and chamber musician at venues including Carnegie Hall, The Kennedy Center, Philadelphia Chamber Music Society, Smithsonian American Art Museum, National Sawdust, Isabella Stewart Gardner Museum, Brooklyn’s Roulette, Symphony Space, La Jolla Chamber Music Society, The Kimmel Center, The Verbier Festival, and Kol HaMusica.
Ms. Stillman is the founding Artistic Director of the popular Dolce Suono Ensemble, “one of the most dynamic groups in the US” (The Huffington Post), performing Baroque to new music with 54 world premieres in 14 seasons in Philadelphia and on tour. At the invitation of Plácido Domingo, Ms. Stillman and Dolce Suono Ensemble enjoy a partnership with the Washington National Opera’s Domingo-Cafritz Young Artist Program.
A wide-ranging and innovative artist, Ms. Stillman celebrates the canon while deeply exploring new music and Latin genres. She is highly regarded for expanding the repertoire through her commissions and arrangements. She can be heard on several recordings including Odyssey: 11 American Premieres for Flute and Piano and Freedom, both with her longstanding duo pianist Charles Abramovic, and American Canvas performed by her Dolce Suono Trio (Innova). Her Syrinx Journey project, a tribute to Claude Debussy on his 150th anniversary, garnered an international following.
Mimi Stillman made the leap from child prodigy to inimitable artist. At age 12, she was the youngest wind player ever admitted to the Curtis Institute of Music, where she studied with the legendary Julius Baker and Jeffrey Khaner and earned her Bachelor of Music degree. She holds a MA in History from the University of Pennsylvania, and is a published author on music and history.
Mimi Stillman has won numerous competitions and awards including Young Concert Artists International Auditions, the Bärenreiter Prize for Best Historical Performance for Winds, Astral Artists Auditions, and the Philadelphia Women in the Arts Award. Her Dolce Suono Ensemble has been awarded grants from the National Endowment for the Arts, William Penn Foundation, Aaron Copland Fund for Music, and other prestigious organizations. A Yamaha Performing Artist and Clinician, strongly committed to excellence in education, she has taught masterclasses at institutions including the National Flute Association, Eastman School of Music, Cornell University, Southern Methodist University, Indiana University, Penn State University, Michigan State University, Haverford College, Bryn Mawr College, the universities of Texas, California, Virginia, Florida, and Arizona, and at conservatories worldwide.
A Spanish-speaker, Ms. Stillman won the Knight Foundation grant for her Música en tus Manos (Music in Your Hands) project to introduce chamber music to the Latino community of Philadelphia. She is on faculty at Temple University, Curtis Summerfest, and Music for All National Festival.
photo: Vanessa Briceño-Scherzer
Amanda Harberg is a composer whose work has been described by the New York Times as “a sultry excursion into lyricism.” Her writing for a wide range of instruments weaves classical Western tradition with contemporary influences to create a distinctively personal style which “conveys a thoroughly original sense of happiness in music,” according to Cleveland Classical. “She invigorates the brain and touches the soul,” says composer John Corigliano. “I love her work.”
Her work has been conducted by Yannick Nézet-Séguin, JoAnn Falletta, David Alan Miller and David Lockington, among others. She has been commissioned by the Philadelphia Orchestra Association, the New World Symphony, the Grand Rapids Symphony, the Juilliard School, the Albany Symphony’s Dogs of Desire, the New Jersey Youth Symphony, the Dorian Wind Quintet, the Bay Atlantic Symphony, the Harmonium Choral Society, and the Network for New Music. She has also received many consortium commissions for new recital works.
Harberg’s recently completed Piccolo Concerto will be premiered by the Philadelphia Orchestra, renowned piccoloist Erica Peel, and conducted by Maestro Yannick Nézet-Séguin on the Fall 2021 Digital Stage series. Her Concerto for Viola and Orchestra, and her Elegy for Viola and Strings, were each performed by violist Brett Deubner and orchestras worldwide, and can be heard on Naxos American Classics with the Southern Arizona Symphony Orchestra.
Her work has also been presented at leading institutions including Carnegie Hall, Lincoln Center, Verizon Hall, the Philadelphia Chamber Music Society, and Bargemusic. Her recent works for flute and piccolo have won numerous awards and Harberg “has become something of a hero to the flute and piccolo community along the way,” notes the website of the Chicago Symphony Orchestra.
Harberg has received a Fulbright Hays fellowship, the Juilliard School’s Peter Mennin prize, two New Jersey State Council on the Arts Fellowships, a New York State Council on the Arts Fellowship, and a MacDowell Colony summer residency. Her chamber music has also won four Newly Published Music Awards from the National Flute Association. Her music is published by Theodore Presser Company and her work has been recorded on many labels including Naxos American Classics and Koch International.
As the in-house composer for Common Good Productions, Harberg has composed scores for The Abominable Crime, an award winning feature documentary, and Beyond Borders: Undocumented Mexican Americans which aired over 2,000 times on PBS stations across the country, as well as a number of shorter films for Common Good Productions.
Also active as a concert-level pianist, Harberg has recently performed with principals of major orchestras including Erica Peel (Philadelphia Orchestra), Martin Chalifour (Los Angeles Philharmonic), YaoGuang Zhai (Baltimore Symphony), Robert Langevin (New York Philharmonic), Dennis Kim (Pacific Symphony), and Mindy Kaufman (New York Philharmonic), as well as with close colleagues Julietta Curenton, Valerie Coleman, Adrian Morejon, Benjamin Fingland, and Jessica Meyer.
Dr. Harberg is a dedicated educator with more than two decades of experience teaching composition, piano, music theory, aural skills, and 20th/21st century music history. She is in her sixth year of teaching composition at Rutgers University Mason Gross School of the Arts, and in the summers she is on the composition faculty at the Interlochen Arts Camp. Harberg began teaching through the Morse Fellowship program, which sends Juilliard students into New York City public schools. She also served on the faculty of the Juilliard School’s Music Advancement Program, which is dedicated to educating students from diverse and underrepresented backgrounds. Harberg has also taught composition at the the Luzerne Music Center, the Rocky Ridge Music Center, and the ASTA Chamber Music Institute. Harberg is a frequent guest at schools and universities where she particularly enjoys speaking to students about how to live an artistically vital and authentic life in today’s society.
Dr. Harberg completed her undergraduate and masters degrees at the Juilliard School and earned her PhD from Rutgers University School of Graduate Studies. She received a Fulbright/Hays fellowship to study for a year with composer/pianist Frederic Rzewski. Currently living with her family in Glen Ridge, New Jersey, Harberg is on the faculty at Rutgers University Mason Gross School of the Arts and the Interlochen Arts Camp.